Starstruck
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Book Detail

THERE’S MORE TO THE MOVIES THAN JUST SONG AND DANCE.

Sapna Shah is starstruck. Whether it’s seeing visions of lovers dancing hand in hand in exotic locales or picturing herself walking down the red carpet, there is nothing Sapna loves more than spending hour after hour dreaming of the filmi world. She soon finds her chance to turn daydreams into reality when she travels from New York to Mumbai on a magazine assignment, and ends up rubbing more-than-just shoulders with Bollywood’s it-producer Gautam Gupta.

Sapna spends the next few weeks searching for fallen eyelashes in actress Zeina Khan’s kohl-lined green eyes, hiding the not-so-discreet evidence of handsome hero Karan Kumar’s multiple affairs and trying to protect porcelain megastar Aradhna Roy from anything that might upset her. But when the mysterious death of a co-worker compels Sapna to look beyond Bollywood’s fairytale empire and into the depths of Mumbai’s notorious underworld, she quickly realizes that there is more to the movies than just song and dance.

About the Author

Born in Chicago, Rajal Pitroda moved to New Delhi at the age of eight and returned to the US four years later. After graduating from the University of Michigan with a degree in economics, Rajal found herself on a two-week trip to Mumbai that lasted over two years. During her time in India, Rajal worked with the Confederation of Indian Industry (CII), where she was responsible for creating and executing CII’s entertainment strategy, with a focus on the Indian film industry. In 2006, Rajal moved to Los Angeles and started a company to market and distribute independent feature films and documentaries. This is her first novel.

Book Detail

ISBN-13: 9789350291061ISBN-10: 9350291061
Publisher: Harper CollinsPublisher Date: 2011
Availability: IN STOCKBinding: PAPERBACK
Language: ENGLISHNo of Pages: 316

Book Detail

Completely enjoyed -- start to finish, cover to cover!
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By AK (280 Days Ago)Starstruck is a smooth quick read that keeps the reader gripped and into the story throughout. Several pieces seem to remain open, but they all come together as one proceeds -- which is also why one remains stuck to the book.

The book provides a pretty good flavor on bollywood -- so for someone who has no idea on what bollywood is all about, there are some fantastic insights in there.. The book also does complete justice to its topic by bringing in an incredible twist / suspense in the last few passages.. Completely loved how the entire thing ends.

Few cons (minor for me) -- (a) it's a fiction, raising few interesting points about bollywood, but doesn't provide the most exhaustive picture; (b) there were few questions that still remain in my head after finishing the book; thought it could have been answered; (c) at few instances, there was an opportunity to bring in higher peaks and troughs of emotions -- unlike a bollywood movie, it didn't particularly fill my eyes with tears or bring a loud laughter on my face.

Overall, I am a strong promoter of this book -- and would rate it at 4 on a scale of 5.
Breezy good read
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By CH (253 Days Ago)I have been looking for a good fiction book for ages that pulls me in but doesn't require heavy mental energy. I read to relax, but don't want to read senseless trash and waste my time. Starstruck was a great mix of everything I was looking for in a for-the-fun-of-it read. It was smart and sophisticated but not heavy or overly complex. It lent itself well to short bursts of reading time, and then could easily be picked up again a day or two later, which is the only way I can fit leisure reading into my schedule. That being said, the plot and characters were well developed and the storyline was entertaining. This book isn't trying to be something it's not, and it is perfect for what it is: a sexy, funny, down to earth portrayal of the intriguing but ultimately human glitz of stardom in Bollywood. I loved it.
STARSTRUCK
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By Divyang K Chhaya (248 Days Ago)Normally a lay person, or even the practicing consultant, does not give more than a glimpse of intellectual underpinnings of most up to date exploration in an area like international film marketing.
It is even rarer when international film marketing material is provided in a way that allows it to be applied directly to practical life for better resultant understanding of a reader. STARSTRUCK sets a new positive standard for quality, scholastic research, and coherent readability for all booklovers.

This novel is a virtual gold mine for all desiring to introduce themselves to their real self as against their ideal self. On the face of it, the novel appears to present greater understanding, insight, and orientation into film marketing but in fact, it deals with life and emotions of young unmarried women who is starstruck.

Concept drawn in STARSTRUCK stands out in my memory as the most heartrending interesting and exhilarating. The novel is about the dreamer Sapna Shah who desires a film life. Luck affords her an opportunity to work in the area of her choice and she excels in her specialty of film marketing.
The assignment is given to her by a famous Indian Hindi film maker. She does her bit in perfect manner. In all probabilities, Sapna Shah was herself unaware of her natural abilities in understanding economics of international film marketing and negotiating and concluding film marketing deals with various countries.

STARSTRUCK characterizes famous (fictional) film personalities and briefs about their personal lives. The characters appear to be so real that one may think that the author has portrayed someone from the real world with a fictional name. What we see on screen is different from real life of the actor playing a given character. STARSTRUCK succeeds in distinguishing that ‘Reel life’ is different from real life.

Mumbai, as discussed, has always been the same. Successful persons in Mumbai are always busy, active, punctilious, and fast moving all the time. These days every extended family has one or more persons settled in foreign land and the reaction of an NRI as shown in the settings of 1989 may not be true for 2011, but the ‘American Girl’ as drawn in the novel is a just fitting expression that could have been the reaction of many in mid Eighties.

Open mind thinking of Sapna Shah is incredibly refreshing, and the way she looks at things in India seeking for a common ground without sacrificing basic skepticism or willingness to challenge one another. While her characters at times debate esoteric points, their back-and-forth engages the reader to consider some of the most vital and complex moral issues that confront humanity.

The novel speaks only the truth. When I read page after page I felt that I am reading true factual description. Although this story is fictionalized, the credibility of its author can be seen by the fact that it appears to be an incredibly true story featuring true life of its characters.

What I remember most is feeling of being in reality all the time. Dialogue of Amit, hotel boy at Kirtan sounds so real when he confided in Sapna Shah, and informed her that he wanted to marry a Muslim girl. But, after the parents came to know about his intention he said “Mine threatened to kill themselves,” and “hers threatened to kill us.”
Those not sociable with film or theater personalities, and film studio staff, can really get a clear picture of things behind the lens.

The conversation between Sapna Shah and the Swamiji draws on both Indian philosophy and Western rules of scientific life. The author has successfully identified places where the two converge and illuminate one another.

Everyone who has to be there to construct a high quality novel was present on the pages of this novel. The story details various aspects of life behind on screen film scenes. Film marketing is one aspect and film financing is another.
Both these business related issues are dealt with such a great expertise that one does not get bored like a text book on film marketing.
Also, the thrill of Mafia’s intervention (film funding, dreadful murder, or glamorous episodes) is discussed in a manner that does not let a reader deviate from the main topic that Sapna Shah was starstruck.

Film producer & former director Gautamji’s desire to completely monopolize obtaining easy access to funds by Mafiosi for his films makes him do too many things that are unearthed by the main character Sapna Shah. Again, boring details of film funding mafia [‘Cosa Nostra’ a criminal syndicate] that most likely emerged from Gulf are kept out. Homicide is revealed but the cruelty of the act is kept out while keeping sadness and grief associated therewith.

I finished reading the novel feeling energized and keyed up with a desire to see more human beings like Sapna Shah whose ethical norms were a paramount consideration for her existence and survival.
She refused to survive and be a glamour doll without compromising her integrity of a very high order.

One must learn a lot from the noble values inculcated in the being of Sapna Shah by her honorable parents. Surely, schools in America do not teach such high order of decency and nobility.

As I moved through Rajalji’s novel on young unmarried woman’s connections with, and love for, her mother, Kitu Masiba, and her well meaning friends I realized the difference between American way of thinking and Indian narrow mindedness.

An American girl treats another as a “friend” first and not as “male” or “female” to begin with.
In American colleges and schools, girls do not sit in a separate cluster in the same classroom in any co–education school. Therefore, Sapna Shah was used to treat human beings as “friends” first and male or female later.
She was herself honest to herself all the time and therefore she expected others to be like her in first place.
This difference becomes conspicuous when one completes reading the novel.

Another issue dealt with by Rajalji in her novel is the dignity of labour. The Bartender at Olives (Baldev) recognizes Sapna Shah by her mannerisms notwithstanding her disguise. This is the major difference in Indo – British culture and American upbringing. Dignity of labour concept can really be seen in America. We need to learn a lot from this novel about Freedom, Liberty & Dignity. To be able to lead a better life Sapna Shah did not rip her moral bioplasma and preferred to live at a place where she could live with honour, dignity, and respect. That was the quality of life sought by her as she ultimately realized.

Rajalji’s short narrative of her span of life, and how she had allowed herself the feel of marketing affairs of entertainment industry as an economist, is impressive and consummate.

The end of the story reduces the gap between ‘Ideal Self & Real Self’ of Sapna Shah. The novel tells you that only real and actual incidents teach you hard facts of life. We can learn from the wisdom of others and our teachers but what we learn through our own personal experience is our ultimate understanding.

My wife’s niece Ms. Rupal Vasavada, daughter of Wing Commander Sanat Vasavada, had a stint in Television industry after her return from England where she worked with Indian Embassy. Rupal Vasavada had narrated few of her experiences and therefore I am mildly familiar with the filmdom, which prompted me to purchase STARSTRUCK from flipkart. My friend Rupang Dave had taken me to see film shooting of Hindi movie DAWA in 1996 or 1997 during my relaxed moments in Mumbai. Otherwise, as a practicing lawyer, I am not competent to comment on such a great work related to technical field of international film marketing.
Reviewed by Divyang K. Chhaya, Advoca

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