A new study of the provocative British artist. Gill fused eroticism and mysticism in clear, direct and fluid graphic lines, which upset parts of the establishment (a couple are shown in one print making love while being blessed by the hand of God; in another, a nude Mary Magdalene embraces Christ on the Cross). Hoyland explores the relationship between the spiritual and the sensual in Gill's many prints and drawings, including the Song of Songs woodcuts.